CEntrance Releases HiFi-M8
Audiophile-grade headphone amplifier improves sound of smartphones, tablets and computers.
HiFi-M8 Pro with balanced XLR Outs, other output variations available
CEntrance, a leader in Digital Audio, released the HiFi-M8(r) – a battery-powered, portable D/A Converter (DAC) and Headphone Amplifier that refines the sound of the Apple iPhone(r), iPad(r), and iPod(r). Pronounced “Hi-Fi Mate,” the device streams high-resolution audio from smartphones*, tablets and laptops, creating the ultimate playback system for on-the-go listeners. HiFi-M8 is offered in several models with various audio output configurations including XLR, 1/8″, 1/4″ and SPDIF Optical connectors.
“iPhones and iPods store a lot of music in a small package, but their sound quality is not at the level many of our customers crave,” said Michael Goodman, Managing Director of CEntrance. “We listened to our customers and together created the ultimate, portable playback system. The features and specifications of HiFi-M8 were crowd-sourced from the ground up. It offers the right package of flexibility, sound quality and convenience, and our field-test models are getting great reviews from listeners.”
Read More »Robert Vosgien Gets Dangerous
Famed Capitol Studios chooses a suite of Dangerous Music mastering gear to update studios
Robert Vosgien in his new Dangerous Music equipped Capitol mastering studio
When Capitol Records Mastering in Los Angeles decided to replace the old “disc cutting” consoles originally designed for mastering vinyl, they began to try out several new transfer consoles including the Dangerous Music Master with its companion devices the Liaison and Monitor that combine to create a complete ‘mastering suite’. After extensive testing and listening, Dangerous Music was the final choice. Once the new gear was purchased and up and running in mastering engineer Bob Vosgien’s studio, Capitol made plans to do a remodel to his mastering room as well. Over the past 25 years of mastering, Vosgien has worked with top artists such as James Taylor, Bob Seger, Green Day, The Goo Goo Dolls, The Wallflowers, Selena Gomez, Bush, Chris Botti and No Doubt, among many others.
Read More »Amadeus at Paris “Fete de la Musique”
Amadeus speaker arrays, coaxial systems and new prototype subwoofer deliver high-powered EDM sound for revelers at annual Paris festival DJ stage
Amadeus sound reinforcement was featured at the Paris "Fete de la Musique" EDM stage, Place du Palais Royal
Mastering Engineer Nate Wood
Multi-instrumentalist on drums, bass & guitar, flies high playing live and engineering in the studio with Dangerous Music gear
Mastering Engineer Nate Wood at his NY Kerseboom Mastering Studio
The journey from being a musician to becoming a mastering engineer began with Nate Wood making his own album and preferring the approach of recording and mixing the music himself, compared to going to a studio and trying to get someone else to make his music sound the way he was hearing it. After mixing his own album and projects for friends he found a new companion career to his live performances in mastering other people’s projects. Based in New York, Wood has outfitted his studio with the Dangerous Music D-Box for monitor control, reference D/A conversion, and analog summing for his mix path, along with the Dangerous Liaison programmable analog router with parallel processing for his six key pieces of outboard gear, two compressors and four EQs. The Liaison proved to be an elegant solution to his tedious practice of hand re-patching outboard gear for mastering sessions.
Read More »Amadeus UDX Series Speakers
Amadeus, French provider of high-end audio solutions and services, re-launches the UDX Series speakers 30 years after its first edition
The new Amadeus UDX Series Speakers
Amadeus, based in France, one of the premiere manufacturers of high-end sound reinforcement systems and custom studio speakers, has announced the re-launch of its famed UDX Series passive speakers – 30 years after originally releasing their first edition. Including four different models, the UDX Series is perfectly adapted to sound reinforcement applications in concert halls, auditoriums, conference rooms, and theaters. Designed to be included within fixed or long-lasting installations, each UDX speaker system can also be used in touring applications as a stage monitor when fitted with optional accessories. The newly redesigned UDX Series are now available from licensed Amadeus distributors and dealers throughout Europe and Asia, from € 1090.00 to € 1990.00 (VAT excluded), depending on the model.
Read More »Mike Wells Gets Dangerous
Engineers Chris Dugan and Chris Lord-Alge team up to record and mix album, while Mike Wells masters the Billie Joe Armstrong production at his Dangerous Music equipped LA studio
Mike Wells in his Dangerous Music Equipped LA Mastering Room
Grammy-Winner F. Reid Shippen
Nashville based engineer wins two Grammys out of his seven 2012 award nominations and adds the BAX EQ to his extensive Dangerous Music gear setup
Engineer F. Reid Shippen in his Nashville studio with the Dangerous Monitor ST remote
Dangerous Returns To The Grammys
2012 Award Nominated Projects from Top Engineers & Producers using Dangerous Music equipment
As the 56th Grammy(r) Awards show approaches, multi-award-winning hardware manufacturer Dangerous Music is offering congratulations to several of their users who have Grammy nominated projects for 2012. This year, nominated projects recorded, mixed or mastered utilizing Dangerous gear include artists such as Tom Waits recorded and mixed by Karl Derfler, Marilyn Manson co-produced by Chris Vrenna, The Roots, Lupe Fiasco, Elle Varner and John Legend with Ludacris mastered by Dave Kutch, Little Big Town, TobyMac, Matthew West, Kari Jobe, and Brit Nicole mixed by F. Reid Shippen, Kenny Garrett mixed by Todd Whitelock, and 2 Chainz mastered by Glenn Schick. The Grammy Awards are to be televised live February 10, 2013 on CBS.
Read More »Junior Sanchez Gets Dangerous
Dangerous Music 2-Bus LT and Monitor ST are key studio ingredients in renowned producer’s Electronic Dance Music projects, as well as his R&B, Rock and Pop productions
Jr Sanchez in his Dangerous Music-equipped studio
Junior Sanchez started making records when he was in high school. Now from the stage looking out over a sea of people in the dance crowd at an Ibiza island festival as a DJ – along with the Swedish House Mafia’s Steve Angello – it seems that first teenage track was quite a while ago. Sanchez has evolved from using major studios and large format consoles in New York and LA to designing and building his own high-end studio in his New York area house. To get back to the sound he had mixing on analog consoles Sanchez has chosen Dangerous Music gear for mixing and monitoring. “I have the Monitor ST, the DAC ST and the 2-Bus LT. It’s changed the whole platform of how I hear, it’s awesome,” says Sanchez. “I live my life Dangerously.”
Read More »Richie Biggs & Charlie Peacock
Producers & Engineers Working in Busy Nashville Scene get “Consistency and Killer Sound” Mixing with Dangerous 2-Bus Analog Summing
Richie Biggs (left) and Charlie Peacock in their Nashville studio
When the Civil Wars took the stage at the 2012 Grammy® Awards, Dangerous Music was part of the moment, as the band’s highly successful and great-sounding record was mixed on the Dangerous 2-Bus. The duo’s live Grammy performance was spectacular, a combination of everything musical and emotional that musicians and music fans alike appreciate. Richie Biggs and Charlie Peacock are the engineers and producers behind the sound of the Civil Wars album “Barton Hollow.” They work around the clock on multiple projects in their Nashville studio and rely on the consistent recall capability and killer sound of the Dangerous 2-Bus analog summing amp and Dangerous D-Box summing and monitor control in their hybrid Pro Tools-based mix rooms.
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