Interview with Paul de Benedictis – As told to Linda Jacobson
Interview with Paul de Benedictis – As told to Linda Jacobson
LJ: Paul, what were you doing in 1984 — the year before you became a founding staff member of Opcode Systems? How would you describe the “work lifestyle,” routine, and group dynamic behind-the-scenes in your world then? Was the SF Bay Area audio industry back then influenced more by the cultures of the computer industry and Silicon Valley, music industry, San Francisco scene, and/or film industry and Hollywood?
PdB: In 1982 I had purchased a Rhodes Chroma synth and in 1983 created one of the first computer-based electronic music “home” studios in the San Francisco Bay Area around that instrument. I had added the Apple II computer and the sequencing and editing software from Fender along with the SIMPLE System synchronizer for video and audio and the requisite mixers, mics, speakers, 2-channel and multitrack tape decks. I was composing music for film and television and through my friend Doug McKechnie’s connection at Lucas Film I even had a chance to write a demo cue for the final Ewok scene in the latest Star Wars: Return of the Jedi movie, apparently Lucas wanted to hear some other ideas than what John Williams had come up with. Three of us in the San Francisco Synthesizer Ensemble got to write a sketch for the cue. It was exciting to see part of the movie before it came out. [Full Interview HERE ]
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Snarky Puppy’s upcoming album “Empire Central” is a return-to-roots masterpiece tracked live in front of a studio audience and slated for release in the Fall. Tasked with capturing 19 musicians simultaneously, recording and mix engineer Nic Hard employed 26 Lauten Audio microphones for use on the group’s 14th album. “I really believe that without these mics, the record wouldn’t sound the same. Lauten Audio mics are now an important part of my arsenal,” said Hard.
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Vintage Vibe has been repairing and restoring classic Rhodes, Wurlitzer, and Clavinet keyboards since the late 1990s. In 2008, the company’s founder, Chris Carroll, along with master technician Fred DiLeone, embarked on a quest to build their own electro-mechanical keyboard in the style of the Rhodes, infusing it with their own ideas of improved performance, reduced weight, and customizable, sleek new looks. Today, Vintage Vibe has published the inside story of their adventure of creating a unique new analog instrument—an instrument embraced by some of the greatest musicians of our generation—the Vintage Vibe Electric Piano. Visit the Vintage Vibe website blog to read the complete epic tale: (http://bit.ly/Inside-Story-Vintage-Vibe-Pianos). Here are some highlights…
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Recently mixed Albums make a splash across the industry with Billboard Heatseeker #14 and London Prog Awards, Album of the Year
Rich Mouser is a triple threat. He’s a musician, producer, and engineer with a highly respected and growing list of legendary clients. He has played a pivotal role in helping a broad range of artists and bands realize their musical dreams with recent acknowledgement from fans and the industry in hit songs and top awards for albums. Mouser’s clients include Robert Trujillo (Metallica, Ozzy Osbourne), Chris Cornell, Dream Theater, Weezer; Chris Vrenna (Marilyn Manson, Nine Inch Nails, Tweaker), Joe Holmes (Ozzy Osbourne, David Lee Roth), Stanley Clarke and Tears for Fears. A musical master, Mouser provides every one of his clients with a keen ear, technical savvy, and sonic sensibilities needed to perfect their musical creations.
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Artist, composer and producer adds the Dangerous Source monitor controller to his Paris studio with stellar results
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Blackbird Academy Gets Dangerous
Famed studio opens recording and live schools, adds new studio based around Dangerous Music equipment: 2-Bus, Liaison, BAX EQ and Monitor ST