‘Chab’ Gets Dangerous in Paris
Dangerous Music equipment used extensively by Engineer Antoine Chabert (Chab) at Translab Mastering Studios including on Daft Punk’s 2014 Grammy-winning Album of the Year, ‘Random Access Memories’
At Translab Mastering Studios in Paris, the Dangerous Music collection of gear is quite extensive and just grew again with its addition of the newly released Dangerous Compressor. The busy French mastering studio’s engineer Antoine Chabert (aka ‘Chab’) has filled his studio with Dangerous gear as its core: the Dangerous Master paired with the Dangerous Liaison for his mastering console, the Dangerous Monitor paired with the Dangerous Source for complete monitoring and specialized playback, and the Dangerous BAX EQ and Dangerous Compressor for taming tracks and making records sound their best- such as the Grammy-winning “Lucky” from Daft Punk’s latest opus “Random Access Memories,” just one among hundreds of other albums and singles Chab has mastered.
Wyner Adds ‘Dangerous Compressor’
Cambridge-based engineer continues to grow his Dangerous Music-equipped studio adding the new Dangerous Compressor
Cambridge-based mastering engineer Jonathan Wyner with Dangerous Compressor
PJ Hanke Scores With Dangerous
Composer/Producer believes in the analog advantages of Dangerous Music gear
Composer PJ Hanke in his studio with the Dangerous 2-Bus, Monitor and MQ
Almost ten years ago, composer and producer PJ Hanke realized that ‘in-the-box’ mixes from his personal composing studio just didn’t have the quality of previous projects he had completed on large format analog consoles in his past work. His search for a solution led him to purchase the Dangerous 2-Bus analog summing mixer, the Dangerous Monitor and the Dangerous MQ to get him back to the sound he liked and remembered. “For nearly a decade, my studio setup of 2-Bus, MQ, and Monitor has allowed me to treat my Pro Tools HD rig like an analog setup with a proper mixing desk,” says Hanke. “The Dangerous Music gear is fantastic.” Read More »
Robert Vosgien Gets Dangerous
Famed Capitol Studios chooses a suite of Dangerous Music mastering gear to update studios
Robert Vosgien in his new Dangerous Music equipped Capitol mastering studio
When Capitol Records Mastering in Los Angeles decided to replace the old “disc cutting” consoles originally designed for mastering vinyl, they began to try out several new transfer consoles including the Dangerous Music Master with its companion devices the Liaison and Monitor that combine to create a complete ‘mastering suite’. After extensive testing and listening, Dangerous Music was the final choice. Once the new gear was purchased and up and running in mastering engineer Bob Vosgien’s studio, Capitol made plans to do a remodel to his mastering room as well. Over the past 25 years of mastering, Vosgien has worked with top artists such as James Taylor, Bob Seger, Green Day, The Goo Goo Dolls, The Wallflowers, Selena Gomez, Bush, Chris Botti and No Doubt, among many others.
Read More »Mastering Engineer Nate Wood
Multi-instrumentalist on drums, bass & guitar, flies high playing live and engineering in the studio with Dangerous Music gear
Mastering Engineer Nate Wood at his NY Kerseboom Mastering Studio
The journey from being a musician to becoming a mastering engineer began with Nate Wood making his own album and preferring the approach of recording and mixing the music himself, compared to going to a studio and trying to get someone else to make his music sound the way he was hearing it. After mixing his own album and projects for friends he found a new companion career to his live performances in mastering other people’s projects. Based in New York, Wood has outfitted his studio with the Dangerous Music D-Box for monitor control, reference D/A conversion, and analog summing for his mix path, along with the Dangerous Liaison programmable analog router with parallel processing for his six key pieces of outboard gear, two compressors and four EQs. The Liaison proved to be an elegant solution to his tedious practice of hand re-patching outboard gear for mastering sessions.
Read More »Mike Wells Gets Dangerous
Engineers Chris Dugan and Chris Lord-Alge team up to record and mix album, while Mike Wells masters the Billie Joe Armstrong production at his Dangerous Music equipped LA studio
Mike Wells in his Dangerous Music Equipped LA Mastering Room
Grammy-Winner F. Reid Shippen
Nashville based engineer wins two Grammys out of his seven 2012 award nominations and adds the BAX EQ to his extensive Dangerous Music gear setup
Engineer F. Reid Shippen in his Nashville studio with the Dangerous Monitor ST remote
Dangerous Returns To The Grammys
2012 Award Nominated Projects from Top Engineers & Producers using Dangerous Music equipment
As the 56th Grammy(r) Awards show approaches, multi-award-winning hardware manufacturer Dangerous Music is offering congratulations to several of their users who have Grammy nominated projects for 2012. This year, nominated projects recorded, mixed or mastered utilizing Dangerous gear include artists such as Tom Waits recorded and mixed by Karl Derfler, Marilyn Manson co-produced by Chris Vrenna, The Roots, Lupe Fiasco, Elle Varner and John Legend with Ludacris mastered by Dave Kutch, Little Big Town, TobyMac, Matthew West, Kari Jobe, and Brit Nicole mixed by F. Reid Shippen, Kenny Garrett mixed by Todd Whitelock, and 2 Chainz mastered by Glenn Schick. The Grammy Awards are to be televised live February 10, 2013 on CBS.
Read More »Junior Sanchez Gets Dangerous
Dangerous Music 2-Bus LT and Monitor ST are key studio ingredients in renowned producer’s Electronic Dance Music projects, as well as his R&B, Rock and Pop productions
Jr Sanchez in his Dangerous Music-equipped studio
Junior Sanchez started making records when he was in high school. Now from the stage looking out over a sea of people in the dance crowd at an Ibiza island festival as a DJ – along with the Swedish House Mafia’s Steve Angello – it seems that first teenage track was quite a while ago. Sanchez has evolved from using major studios and large format consoles in New York and LA to designing and building his own high-end studio in his New York area house. To get back to the sound he had mixing on analog consoles Sanchez has chosen Dangerous Music gear for mixing and monitoring. “I have the Monitor ST, the DAC ST and the 2-Bus LT. It’s changed the whole platform of how I hear, it’s awesome,” says Sanchez. “I live my life Dangerously.”
Read More »Richie Biggs & Charlie Peacock
Producers & Engineers Working in Busy Nashville Scene get “Consistency and Killer Sound” Mixing with Dangerous 2-Bus Analog Summing
Richie Biggs (left) and Charlie Peacock in their Nashville studio
When the Civil Wars took the stage at the 2012 Grammy® Awards, Dangerous Music was part of the moment, as the band’s highly successful and great-sounding record was mixed on the Dangerous 2-Bus. The duo’s live Grammy performance was spectacular, a combination of everything musical and emotional that musicians and music fans alike appreciate. Richie Biggs and Charlie Peacock are the engineers and producers behind the sound of the Civil Wars album “Barton Hollow.” They work around the clock on multiple projects in their Nashville studio and rely on the consistent recall capability and killer sound of the Dangerous 2-Bus analog summing amp and Dangerous D-Box summing and monitor control in their hybrid Pro Tools-based mix rooms.
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