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Amadeus at ‘Studios de la Chine’

Prestigious Studio in the heart of Paris features architectural acoustics and custom-designed ‘Mains’ speakers by Amadeus

Amadeus custom designed Mains speakers featured in Paris' Studios de la Chine

Amadeus custom designed Mains speakers featured in Paris' Studios de la Chine

Matching the pristine analog sound of Studios de la Chine’s wrap-around 72-fader ‘SSL 9072 J’ console are the soffit-mounted speaker mains custom designed by Amadeus. While Amadeus is highly regarded as a leading manufacturer of live and installed sound equipment, the company also boasts a top team of designers that work with large commercial studios to offer them custom speaker designs for each specific control room space. Amadeus’ Michel DELUC designed the one-of-a-kind speakers for the main control room at Paris’ Studios de la Chine working with studio owner Hubert MONTOYA. Located on a quiet street in the 20th Arrondissement, local mix engineers are calling it the ‘Best studio in Paris.’

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CEntrance Releases HiFi-M8

Audiophile-grade headphone amplifier improves sound of smartphones, tablets and computers.

HiFi-M8 Pro with balanced XLR Outs, other output variations available

CEntrance, a leader in Digital Audio, released the HiFi-M8(r) – a battery-powered, portable D/A Converter (DAC) and Headphone Amplifier that refines the sound of the Apple iPhone(r), iPad(r), and iPod(r). Pronounced “Hi-Fi Mate,” the device streams high-resolution audio from smartphones*, tablets and laptops, creating the ultimate playback system for on-the-go listeners. HiFi-M8 is offered in several models with various audio output configurations including XLR, 1/8″, 1/4″ and SPDIF Optical connectors.

“iPhones and iPods store a lot of music in a small package, but their sound quality is not at the level many of our customers crave,” said Michael Goodman, Managing Director of CEntrance. “We listened to our customers and together created the ultimate, portable playback system. The features and specifications of HiFi-M8 were crowd-sourced from the ground up. It offers the right package of flexibility, sound quality and convenience, and our field-test models are getting great reviews from listeners.”

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Robert Vosgien Gets Dangerous

Famed Capitol Studios chooses a suite of Dangerous Music mastering gear to update studios

Robert Vosgien in his new Dangerous Music equipped Capitol mastering studio

Robert Vosgien in his new Dangerous Music equipped Capitol mastering studio

When Capitol Records Mastering in Los Angeles decided to replace the old “disc cutting” consoles originally designed for mastering vinyl, they began to try out several new transfer consoles including the Dangerous Music Master with its companion devices the Liaison and Monitor that combine to create a complete ‘mastering suite’. After extensive testing and listening, Dangerous Music was the final choice. Once the new gear was purchased and up and running in mastering engineer Bob Vosgien’s studio, Capitol made plans to do a remodel to his mastering room as well. Over the past 25 years of mastering, Vosgien has worked with top artists such as James Taylor, Bob Seger, Green Day, The Goo Goo Dolls, The Wallflowers, Selena Gomez, Bush, Chris Botti and No Doubt, among many others.

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Amadeus at Paris “Fete de la Musique”

Amadeus speaker arrays, coaxial systems and new prototype subwoofer deliver high-powered EDM sound for revelers at annual Paris festival DJ stage

 Amadeus sound reinforcement was featured at the Paris "Fete de la Musique" EDM stage, Place du Palais Royal

Amadeus sound reinforcement was featured at the Paris "Fete de la Musique" EDM stage, Place du Palais Royal

Paris, France – July 10, 2013 – Every year in The City of Light on the Summer Solstice, hundreds of thousands of revelers enjoy music at stages and buildings set around picturesque Paris locations at the free “Fete de la Musique” event. Amadeus, based in France, one of the premiere manufacturers of high-end sound reinforcement systems and custom studio speakers, outfitted the EDM stage with live sound at the event for DJ sets by Michael Canitrot, Nico de Andrea, Gregori Klosman and Tristan Garner. Amadeus provided integrated sound reinforcement from stage to audience combining their Amadeus DIVA XL array systems, Amadeus PMX 15 coaxial speaker systems, used as stage monitors and in front-fills, and an exciting new prototype product, the Amadeus MAESTRO subwoofer. The Amadeus MAESTRO subwoofer takes a revolutionary step forward in subwoofer technology and design with a unique combination of both low power handling capacity and ultra high-efficiency with dual high-linear excursion 15-inch horn-loaded speakers mounted in a push-pull mode. At the Fete de la Musique EDM stage, only 8 subwoofers were paired with 2 Lab Gruppen C88:4 amplifiers offering a maximum SPL 155 dB at 25 Hz. Over ten thousand people attended the EDM event at the stunning Place du Palais Royal in downtown Paris.

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Mastering Engineer Nate Wood

Multi-instrumentalist on drums, bass & guitar, flies high playing live and engineering in the studio with Dangerous Music gear

Mastering Engineer Nate Wood at his NY Kerseboom Mastering Studio

Mastering Engineer Nate Wood at his NY Kerseboom Mastering Studio

The journey from being a musician to becoming a mastering engineer began with Nate Wood making his own album and preferring the approach of recording and mixing the music himself, compared to going to a studio and trying to get someone else to make his music sound the way he was hearing it. After mixing his own album and projects for friends he found a new companion career to his live performances in mastering other people’s projects. Based in New York, Wood has outfitted his studio with the Dangerous Music D-Box for monitor control, reference D/A conversion, and analog summing for his mix path, along with the Dangerous Liaison programmable analog router with parallel processing for his six key pieces of outboard gear, two compressors and four EQs. The Liaison proved to be an elegant solution to his tedious practice of hand re-patching outboard gear for mastering sessions.

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Amadeus UDX Series Speakers

Amadeus, French provider of high-end audio solutions and services, re-launches the UDX Series speakers 30 years after its first edition

The new Amadeus UDX Series Speakers

Amadeus, based in France, one of the premiere manufacturers of high-end sound reinforcement systems and custom studio speakers, has announced the re-launch of its famed UDX Series passive speakers – 30 years after originally releasing their first edition. Including four different models, the UDX Series is perfectly adapted to sound reinforcement applications in concert halls, auditoriums, conference rooms, and theaters. Designed to be included within fixed or long-lasting installations, each UDX speaker system can also be used in touring applications as a stage monitor when fitted with optional accessories. The newly redesigned UDX Series are now available from licensed Amadeus distributors and dealers throughout Europe and Asia, from € 1090.00 to € 1990.00 (VAT excluded), depending on the model.

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Mike Wells Gets Dangerous

Engineers Chris Dugan and Chris Lord-Alge team up to record and mix album, while Mike Wells masters the Billie Joe Armstrong production at his Dangerous Music equipped LA studio

Mike Wells in his Dangerous Music Equipped LA Mastering Room

Mike Wells in his Dangerous Music Equipped LA Mastering Room

Mastering engineer Mike Wells recently completed a project for producer Billie Joe Armstrong, the new “Emily’s Army” album titled Lost at Seventeen (Adeline Records). The sophomore album release will debut June 11, 2013 and features the drumming of Armstrong’s son Joey; Wells also mastered the band’s first album. Engineer Chris Dugan recorded the album and worked with mixer Chris Lord-Alge and producer Armstrong to coordinate the mastering at Wells’ LA mastering studio which is all based around a Dangerous Music equipment.

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Grammy-Winner F. Reid Shippen

Nashville based engineer wins two Grammys out of his seven 2012 award nominations and adds the BAX EQ to his extensive Dangerous Music gear setup

Engineer F. Reid Shippen in his Nashville studio with the Dangerous Monitor ST remote

Engineer F. Reid Shippen in his Nashville studio with the Dangerous Monitor ST remote

2012 was a big year for mixer F. Reid Shippen, having taken home two statues out of his seven Grammy(r) nominations. Shippen mixes in his Nashville studio and utilizes the sonic fingerprint of several pieces of Dangerous Music hardware. His two Grammy wins this year are for Best Country Duo/Group Performance with his mix of the song “Pontoon” for Little Big Town, and Best Contemporary Christian Music Album for mixing TobyMac’s “Eye On It” album. Shippen is also nominated for Audio Engineer of the Year at the upcoming Academy of Country Music Awards in April. All Shippen’s mixes use the Dangerous Music products as key ingredients to get the right sound for each project.

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Dangerous Returns To The Grammys


2012 Award Nominated Projects from Top Engineers & Producers using Dangerous Music equipment

As the 56th Grammy(r) Awards show approaches, multi-award-winning hardware manufacturer Dangerous Music is offering congratulations to several of their users who have Grammy nominated projects for 2012. This year, nominated projects recorded, mixed or mastered utilizing Dangerous gear include artists such as Tom Waits recorded and mixed by Karl Derfler, Marilyn Manson co-produced by Chris Vrenna, The Roots, Lupe Fiasco, Elle Varner and John Legend with Ludacris mastered by Dave Kutch, Little Big Town, TobyMac, Matthew West, Kari Jobe, and Brit Nicole mixed by F. Reid Shippen, Kenny Garrett mixed by Todd Whitelock, and 2 Chainz mastered by Glenn Schick. The Grammy Awards are to be televised live February 10, 2013 on CBS.

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Junior Sanchez Gets Dangerous

Dangerous Music 2-Bus LT and Monitor ST are key studio ingredients in renowned producer’s Electronic Dance Music projects, as well as his R&B, Rock and Pop productions

Jr Sanchez in his Dangerous Music-equipped studio

Jr Sanchez in his Dangerous Music-equipped studio

Junior Sanchez started making records when he was in high school.  Now from the stage looking out over a sea of people in the dance crowd at an Ibiza island festival as a DJ – along with the Swedish House Mafia’s Steve Angello – it seems that first teenage track was quite a while ago. Sanchez has evolved from using major studios and large format consoles in New York and LA to designing and building his own high-end studio in his New York area house. To get back to the sound he had mixing on analog consoles Sanchez has chosen Dangerous Music gear for mixing and monitoring. “I have the Monitor ST, the DAC ST and the 2-Bus LT. It’s changed the whole platform of how I hear, it’s awesome,” says Sanchez. “I live my life Dangerously.”

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